物质越少，人性越多

less material, more humanity

此案中灰白是核心的色彩元素，光线则是最重要的调和因子。整个设计简明却不乏深度。我们主张各个空间不应封闭，而应相互渗透并聚合，形成整体。我们将不同块状元素置入空间，巧妙地塑造各区域的空间关系，恰如其分地营造出平静、舒适、内敛的居住氛围。

In this case, gray and white are the core color elements, and the light is the most important harmonic factor. The whole design is concise but no lack of depth. We advocate that each space should not be closed, but should permeate and aggregate with each other to form a whole. We place different block elements into the space, cleverly shaping the spatial relationship between the areas and appropriately creating a calm, comfortable, restrained living atmosphere.

入口玄关至客厅段，破墙立柜。独立柜体在界定门厅与厨房关系的同时留有缝隙，引导视线探究空间深处，颇具趣味。立柜对面木色块体鞋凳挑于黑色石材之上。以线条勾勒出的储物架在提高入户视觉效果的同时为客厅转角两侧的实体壁柜作铺垫。

In the section of the vestibule to the living room, we break the wall to make a cabinet. The independent cabinet leaves a gap while defining the relationship between the vestibule and the kitchen, guiding the eyesight to explore the depths of space. It is quite interesting. On the opposite side of the cabinet, the wooden block shoe bench is placed on black stone. The storage shelfs outlined by lines are used to pave the way for the solid wall cabinets on both sides of the living room corner while improving the visual effect of the home.

开放式餐厨是通过门厅后的释放。大面灰色背光墙面从餐厅延伸至厨房，将两者融为一体。客厅区域相对独立，灰色墙面与大理石地面保证了空间的延续性。在客餐厅转换区域，利用黑色透空柜体来弱化因承重墙体而产生的锐角冲突，暗门设计创造出木制包覆的盒体连续面。视觉层叠加之光影变化下的明暗转换，尽致刻画出丰富的界面层次。

The open kitchen and dining room are a kind of release through the vestibule. The large grey backlit wall extends from the dining room to the kitchen, blending the two. The living room area is relatively independent, and the gray wall and marble floors ensure the continuity of the space. In the conversion area of the living room and the dining room, the black transparent cabinet is used to weaken the sharp angle conflicts caused by the load-bearing walls, and the design of the hidden door creates a wooden-clad continuous surface of the “box”. Visual overlapping combined with shading conversion by the light and shadow changes can fully depict abundant interface layers

主背景墙面的柜体由入口门厅处开始，延伸至餐厅最终转折到达客厅，强化了空间一体性的同时实现了公共区域日常物品的储藏和玩物陈列。

The main background wall cabinets start from the vestibule, extend to the dining room, and in the end, turn to the living room, which strengthens the oneness of the space and achieves the storage of daily goods and the display of playthings in the public area.

卧室和独立书房位于主卫两端，延续开放的设计理念。浴缸从卫生间中释放，独立于卧室阳台之上。卧室空间增加木制元素的比例，将公共区域与私人区域明显区分。而衣柜柜门用亚麻质感的白色布帘代替以增添空间柔和感。书房柜体利用镜面扩展空间，黑色百叶切分室外植被，它们与光影共同构成书房安静闲适的氛围。

The bedroom and the independent study are located at the two ends of the main bathroom, continuing the open design concept. The bathtub is released from the bathroom and independently placed on the bedroom balcony. The bedroom space increases the proportion of wood elements, apparently distinguishing public areas from private areas. Wardrobe doors are replaced by linen-white curtains to increase space softness. The study cabinet uses mirror to expand the space, and the black louvers divide the outdoor vegetation. Together with light and shadow, they form a quiet and relaxing atmosphere.

本案通过巧妙的空间配置与材质运用，尽可能降低材料铺装的同时，塑造出简明开放的氛围。利落的几何界面处理使空间的灰白木元素拥有完整性和连贯性。在色调统一的前提下挑选不同质地的材料，制造材质上的微妙变化。内凹黑色踢脚板贯穿全室，呈现细节丰富度。整体看似简约的空间中，其实隐藏许多细部巧思。

Through ingenious space configuration and material use, this case reduces the material pavement as much as possible, while creating a concise and open atmosphere. The neat geometric interface treatment makes gray, white and wood elements integral and coherent. Under the premise of uniform tone, materials of different textures are selected to make subtle changes in materials. The concave black baseboard runs through the whole room, showing the richness of details. The whole seemingly simple space, in fact, includes a lot of clever thinking of details.